“The best part of being in Koi Kingdom is how open and free each member is with each other’s compositions. The foundations lie in the players that we are, so you hear heaps of Marcos’ signature whammy sound and b9 chords, Cheryl’s rhythmic and sometimes atonal blowing and Stephen’s songlike phrasing and free-blowing grooves.”
“All songs have to do with Tides and emotions rolling in and out and finding our balance and equilibrium in the face of all the waves that keep crashing on our shores.”
All that Art is our way of celebrating arts and culture and humanities and the creative minds that help us make sense of the world, as we all try to navigate the post-covid reality.
“I think my music is on the whole quite accessible to people who aren’t avid jazz fans, yet also has many elements of that flying, dodging and dextrous complexity that jazz aficionados and myself have come to love.”
For me, Charlie Parker’s music will always be connected with my relocation from Athens to Australia; the moment I was boarding on the plane, by an act of ironic coincidence, my MP3 player (which had been set to shuffle mode) decided to accentuate the event by playing Nows the Time.
We are all constantly improvising in life be it with work or play. I believe it plays an important role in anyone’s life and it’s definitely an indispensable skill to have and to continue developing. It is part of the human condition.
“I love the power of the piano to convey emotion and narrative using all those elements, so when I perform solo piano my energy is much more inwardly focused on narrating and telling the story of the music.”
“Pascal brings a real sense of soundscape to the Berardi/ Foran/ Karlen music; he thinks texturally, but also melodically. So when we added him to the group, it brought so much colour and depth to the sound, but also without standing out. To us it sounds like a natural fit.”
“I am greatly inspired by all of these ethnic influences that are already here in Melbourne. This patchwork is inspiring and Samassin’s music here is global.”
“I don’t have any expectations about whether the Jazz Social will continue after the shutdowns. It might be unique to this time and place, but on the other hand I also think it does something different to a regular gig. It’s a different medium.”