Apparently, today is ‘Batman Day’ — the annual event started in celebration of the iconic comic book character’s 80th Anniversary, and it is evolving into […]
For an album filled with gems of the Great American Songbook, it is telling that the songs that mostly stand out are Tamara Kuldin’s original compositions. ‘Maisie’s song’ in particular, has all it takes to become a modern classic – a sweet, catchy melody; simple, honest lyrics; a warm, compelling delivery by a vocalist at the top of her game.
“The best part of being in Koi Kingdom is how open and free each member is with each other’s compositions. The foundations lie in the players that we are, so you hear heaps of Marcos’ signature whammy sound and b9 chords, Cheryl’s rhythmic and sometimes atonal blowing and Stephen’s songlike phrasing and free-blowing grooves.”
“All songs have to do with Tides and emotions rolling in and out and finding our balance and equilibrium in the face of all the waves that keep crashing on our shores.”
Back in Melbourne, we had a bunch of legends do group iso sessions, ranging from trad jazz to contemporary improvisation.
“I think my music is on the whole quite accessible to people who aren’t avid jazz fans, yet also has many elements of that flying, dodging and dextrous complexity that jazz aficionados and myself have come to love.”
For me, Charlie Parker’s music will always be connected with my relocation from Athens to Australia; the moment I was boarding on the plane, by an act of ironic coincidence, my MP3 player (which had been set to shuffle mode) decided to accentuate the event by playing Nows the Time.
We are all constantly improvising in life be it with work or play. I believe it plays an important role in anyone’s life and it’s definitely an indispensable skill to have and to continue developing. It is part of the human condition.
“I love the power of the piano to convey emotion and narrative using all those elements, so when I perform solo piano my energy is much more inwardly focused on narrating and telling the story of the music.”
“Pascal brings a real sense of soundscape to the Berardi/ Foran/ Karlen music; he thinks texturally, but also melodically. So when we added him to the group, it brought so much colour and depth to the sound, but also without standing out. To us it sounds like a natural fit.”