Adam Rudegeair really knows how to pay tribute to his heroes. His love for Prince led him to create the ultimate homage to the Minneapolis […] Read More
Author: Nikolas Fotakis
I've been a puppet, a pauper, a pirate, a poet, a pawn and a king.
Also a father, a husband, a writer, an editor, a coffee addict, a type 1 diabetic and an expat. Born and raised in Athens. Based in Melbourne. Jazz is my country.
The Mouth is easily one of the best live acts in Melbourne at the moment, a must-see (or rather, must-experience) performance
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“On a personal level, this simple play on words — 32 bars, in 32 bars — gives me both a great goal-setting framework and a quiet assurance that, after 32 songs, I will have scooped out enough of the melodic, harmonic and lyrical cacophony to settle my fevered mind.”
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“I have a great band, I feel very supported, but with that support I can also take some musical chances, it’s kind of like jumping off the edge of a cliff and knowing that someone will catch you, something will break your fall.”
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“Lexicon is defined as the vocabulary of a person, language or branch of knowledge. I took this definition and applied it to my love life quite literally. Each song title on the EP is a word the definition of which encapsulates an experience I had in my dating life.”
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“The album is dedicated to this idea of finding presence, and listening to one’s honest self, a process that exists most powerfully between all the motion and all the thoughts.”
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” I was really working on the things that I wasn’t good at, but now I am going into another period of lots of practice over summer, when I’m not teaching and I’m going to be focusing on things that think I am good at and trying to make them better.”
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“In reimagining this music we are able to uncover hidden depths and mine for musical gold. But importantly, and I think most importantly, the music is very, very fun.”
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Danica Hobden’s music is a river. Its headwater is crystal clear and fresh, inviting you to dip your toes in and feel the invigorating coolness, as it flows from its rocky source to the main stem, each chord, each note, each melodic idea a different affluent, constantly moving, collecting leaves and twigs and rocks and sediment, as it flows, hosting new life as it grows deeper.
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“The flute isn’t the most common instrument in improvised music, so as much as I have always had a strong love and interest in jazz and improvisation, it took me a while to figure out how I could fit in. You are always drawn to what you love, so one way or the other — if you stick at it and follow your instincts, it will find you!”
