We often talk about Melbourne’s vibrant jazz scene – well, here’s the thing: Tamara Murphy is one of the pillars of the scene, a wonderfull […]
” We don’t confine ourselves to particular genres, or traditional interpretations of genres, and we don’t pre-determine too much about the music. All of us love pop, and have listened to loads in our time on the planet. And Brazilian tunes creep in because I find it hard to omit these from any setlist I’m involved in! Aside from that, Stoneflower creates a very gentle, magical sonic palette that doesn’t attempt to prove anything to listeners.”
Elly Hoyt has harnessed the power and beauty of music, not simply for its own sake, but to give voice to those we have heard far too little from.
“I did not expect the music that came out of me to be political, to be conscious jazz. I thought I would write a beautiful lovely AABA jazz standard that could swing.I didn’t realise that I was so angry or desperate.I didn’t realise I was so opinionated.”
There were over 70 performances to choose from, so even without the big international names in the line-up, it was outstanding value for pass holders. The tightly packed schedule meant catching complete sets was the biggest challenge.
Fast, barely moving, through thick ensemble textures and spare, you can hear the strings of Tamara Murphy’s double bass vibrating. This is very good recording, but it is also very strong playing, striding right on through.
Fran Swinn’s composition — Inform — for Jazz quartet and acrobat, featuring Eugene Ball — trumpet, Fran Swinn — guitar, Tamara Murphy — double bass, […]
“I guess I consider myself an ‘intuitive’ composer in that everything I’ve written so far seems to have been written in a slightly different way. I don’t have one method – one approach of sitting down and writing in a particular way.”