It’s been almost a quarter of a century since Trichotomy first ventured into their quest to explore the possibilities of the jazz piano trio formation, […]
“Festivals are great opportunities to create different kind of experiences,” Chelsea Wilson explains. “A lot of jazz venues in town do not have the stages or infrastructure to be able to do something like that, so were very fortunate to have Chapel Off Chapel as a festival hub this year; it has lots of space for the bands to explore.”
“We’re always watching the dancers and responding to them – sometimes closely following the actions with musical cues, at other times creating a dynamic and textural sense of the emotion in the dance through the music. On the other hand, the dancers are listening to us and responding, taking their timing cues from us sometimes.”
” I suppose as we’re all quite aware, there has been SO much incredible trio music, so the challenge [for Trichotomy] is adding something to this already rich repertoire of music; hopefully we’re doing that!”
APRA (Australasian Performing Right Association) and the AMC (Australian Music Centre) are proud to announce the finalists for the 2013 Art Music Awards, an event which celebrates the outstanding achievements of composers, performers and educators in the dynamic fields of contemporary classical, jazz and experimental music.
Trichotomy Fact Finding Mission (Jazzhead) 28 February 2013 Sean Foran (piano), Patrick Marchisella (bass), John Parker (drums) with James Muller, Tunji Beier & Linsey Pollak […]
‘the jazz and classical stylistic elements have been something to consider carefully. We’ve written music that is by no means easy – particularly the rhythmical aspects, so it needs players with both great reading chops and a solid understanding of feel’