“Firstly, I want to say a huge thank you to Peggy Glanville-Hicks and the Trust because it’s just so difficult to find a block of time to dedicate to music and this residency honors music and its great importance.” – Barney McAll
The site’s founding editor, Miriam Zolin is stepping away from the site to pursue her own creative projects. She’s looking for someone else to take it to the next phase.
You can’t make an omelette without breaking eggs goes the saying, and the eggs that have gone into this Omelette are of two varieties: a love of grooves and a love of more ethereal improvisation. Setting the band apart is its occasional ability to whisk these two together. This has also been a defining attribute of guitarist Stephen Magnusson across the years, and here trombonist Jordan Murray, bassist Mark Shepherd and drummer Ronny Ferella prove they share these preoccupations on nine collectively-penned compositions.
“My first guitar teacher, Vince Hopkins, was really instrumental in unlocking the sounds I was hearing on the guitar. Vince is a really fantastic player and one of the most musical people on the planet.” Mike Anderson
“I freaked out the first time I heard Peter Bernstein! The thing that I attracted me to his playing at first was the larger intervals he used, which I hadn’t really thought about or done before that.” – Jeremy Thomson
“Tommy Emmanuel was my childhood hero and although I’ve moved on from that musical aesthetic I still think he can play the hell out a guitar with an incredible time feel and melodic sensibility. “
20Up sees the AAO return to the place of its first concert: the Malthouse Theatre in Melbourne. A total of twenty-five musicians will perform a range of works from Ringing the Bell Backwards, the first work written for the AAO by Founding AD Paul Grabowsky which premiered at Malthouse in 1994; Passion, which is the AAO’s take on Bach’s St Matthew Passion; Testimony, Sandy Evans’ extraordinary tribute to Charlie Parker; Struttin’, Eugene Ball’s impressionistic take on Louis Armstrong, and a brand new commission from young composer, Austin Buckett called Virtuoso Pause.
I started playing jazz after discovering a VHS labelled ‘Red Dwarf’ at home when I was 14. Little did I know the last hour of the tape was a concert of Miles Davis live in Germany in 1988. I’d never heard anything like it and was totally blown away. I became obsessed with jazz.
From the media release Purrfect Records and ade ishs Music present Four Seasons Live by ade ishs Following the studio album Four Seasons Suite, Purrfect […]
From the media release Album released October 31 ARIA Award-winning singer-pianist-composer Sarah McKenzie will release her brand new album ‘We Could Be Lovers’ on October […]