“There is something musical about the way Gerald Murnane writes about Australian landscape, it’s an interesting place to compose music from,” Peter Knight says.
A cohort of inspired, inspiring women took to the stage, one by one sending out a War Cry, singing songs of Nina Simone and Abbey Lincoln and Sharon Jones – along with their own originals, all songs that describe what it means to struggle, to fight back, to do your bit to create social change, one note at a time, one verse at a time.
“I love sitting in the middle of Darryn and Kim when they talk about musical experiences theyve shared from times before I was born, soaking everything up like a sponge, to the point that it feels like I was there too!”
Dan Tepfer: “Well, when we really commit to improvisation (the word literally means ‘unforeseen’), we commit to listening hard, with a certain kind of humility. We leave ourselves open to the spirit of discovery, to epiphanies that are specific to that moment in time.”
Following thousands of jazz events taking place in 195 countries around the world, International Jazz Day 2019 came to a thrilling closein Melbourne, Australia with an extraordinary All-Star Global Concert at Melbourne Arts Centre’s renowned Hamer Hall.
“In her tunes, Kate is the band leader; in mine, I’m the leader. We have our own musical personalities; she’s as much a musical leader as I am.”
“SUM is me, who I am as an artist and human being; it has my flaws and strength,” says drummer and composer Steve Belvilus, talking about the signature soul-jazz-RnB sound he has created.
Melbourne jazz fans rejoice – on 28 April, in line with the Jazz Day celebrations, the city will become home to the all-new, all-sparkling Jazz Roots Festival.
“I wanted to do a tribute album, but I was very clear that it is not going to be just another cover of the original album. I have always wanted to record a sweet, clean, simplified but yet intricate rendition of the Nancy Wilson/ Cannonball Adderley album.”
“It is very hard for me to put a label to my music as I think its sort of a hybrid of genres. Coming from a classical background, I know that there is the classical influence in there, there’s the folk element coming from my cultural background – both as an Armenian and Lebanese – and of course there’s also the jazz influence, the harmonies, the improvisations and the approach in the composition process.”