“We’re seeing more women artists in jazz, but perhaps not at the rate we’re expecting. I think one of the biggest challenges is to encourage young players to pursue music at a tertiary level and beyond.”
‘Comes Love’ is a snapshot of what you’ll hear at one of my gigs, favourite songs sung with two of my favourite musicians; there was no theme in mind other than sharing some lovely songs in a natural way, and I believe that’s how it sounds.
Bennetts Lane Jazz Club version 1 was born on November 27th 1992. It upgraded to two rooms on the 14th of January 2000. And it closed on June 15th 2015. During its almost 23 years in the service of live jazz performance it helped usher in a new environment for musicians to bring their art to their community. […] The experience and insight we learned through mistakes, discussion and respectful negotiation have largely been retained in Bennetts Lane version 2.
“I feel that I now have the expertise, musicality and understanding of what could be described as ‘groundbreaking’ as part of my role as a performer and academic.”
Casey Golden’s music appears to come from another world. There is the coolness and openness of outer space in this music. There is also an alienness about his compositions and his approach to improvisation that is at once intriguing and endlessly surprising
I leave them alone in the set break and write in my notebook ‘They make more of their own collective and individual history every time they do this.’ When I read it back the next day I wonder what the hell I was thinking.
The World’s Best Jazz Club (Major Street Publishing) by David James Released June 2014 Book launch at Melbourne International Jazz Festival Three aspects of the writing of The World’s Best Jazz Club were a surprise to its author David James. First, when publisher Lesley Williams from Major Street approached him with the idea, he thought …
Hear Scott Tinkler talk about his musical journey, improvisation and the Australian Art Orchestra. Oh, and the panda is explained as well.
‘…we might fall on our arses once or twice, but it’s often when you’re searching that the best things happen…’
We may not be used to seeing Tortoni ‘front and centre’ at the MIJF but he’s played a role consistently for over a decade now. At the festival launch, he revealed what drives him, saying (twice) that he’s interested in the ‘pairing of jazz royalty with the voices of a rising generation’.